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A. Robert Lauer
Other Titles: The HOLY INNOCENTS Director: Mario CAMUS Release Year: 1984 Production Company: Ganesh Producciones Cinematográficas Televisión Española Country: Spain Synopsis: Tells the story of members of a poor Spanish family who work on the estate of an aristocratic family in the province of Extremadura in the 1960's. Cast: Alfredo LANDA Paco Terele PAVEZ Régula Francisco RABAL Azarías Agustín GONZÁLEZ Don Pedro Juan DIEGO Señorito Iván Belén BALLESTEROS Juan SÁNCHEZ Susana SÁNCHEZ Agata LYS Mary CARRILLO José GUARDIOLA Manuel ZARZO Francisco TORRES José SALVADOR José Manuel SITO José ALBIACH Rafael SERNA Maribel MARTÍN Credits: Mario CAMUS Director Pablo NÚÑEZ Producer Julián MATEOS Producer Andrés SANTANA Associate Producer Félix RODRÍGUEZ Production Assistant Benito RABAL Assistant Director Walter PRIETO Assistant Director Antonio LARRETA Script Manuel MATJI Script Mario CAMUS Script Miguel DELIBES Original novel Hans BURMANN Photography Manuel VELASCO Camera Operator Reyes ADABES Special Effects José María BIURRUN Editor Rafael PALMERO Art Director León REVUELTA Costumes Mariano GARCÍA REY Make-up Daniel GIL Title Design Ángel URIARTE Title Design Antón GARCÍA ABRIL Music Carlos FARUELO Sound Recording Eduardo FERNÁNDEZ Sound Re-recording Luis CASTRO Sound Effects Aurelio PÉREZ Naturalist Running Time: 105 Field Length: 9450 ft or 2882 mtrs. Colour Code: Colour Colour system: Eastmancolor Awards: Cannes Festival Awards 1984 Best Actor: Alfredo LANDA Cannes Festival Awards 1984 Best Actor: Francisco RABAL Time Out 860.11 (1987): 25. ENG. *Monthly Film Bulletin 54.637 (1987): 59-60. ENG. Cinema Papers 60 (1986): 65. ENG. Hollywood Reporter 288.14 (13 Aug 1985): 5, 8. ENG. Cineinforme 456 (February 1985): 31. SPA. Credits, synopsis in Spanish and English. Positif 288 (February 1985): 63. FRE. Télérama 1827.16 (Jan 1985): 9. FRE. Jeune Cinéma 164 (Jan/Feb 1985): 41-43. FRE. Heraldo del Cine 2724.31 (Aug 1984): 752. SPA. Cahiers du Cinéma 360/361 (Summer 1984): 50. FRE. Jeune Cinéma 160 (Jul/Aug 1984): 32-33. FRE. Cineinforme 130 (May 1984): 15. SPA. Credits, and synopsis in English and Spanish. Cineinforme 130 (May 1984): 21. SPA. Synopsis and brief review. Variety 2 May 1984: 20. ENG. Cineinforme 129 (May 1984): 7. SPA. Credits, synopsis, still. Cineinforme 128 (April 1984): 13. SPA. Note. Cineinforme 117 (November 1983): 16. SPA. Note. Cuesta, Mercedes. “'Los santos inocentes,' reflexiones y críticas de la prensa.” Ventanal [Perpignan, France] 8 (1984): 139-147. Hernández-García, Carmela. “Dos acercamientos a la fábula de Los santos inocentes.” Letras Peninsulares 9.2-3 (1996-1997): 239-54. Márquez-Pribitkin, Yvette. “Los santos inocentes
visto por Mario Camus años más tarde.” Anuario de
Cine y Literatura
Martín-Márquez, Susan L. “La óptica del optimismo
en Los santos inocentes de Mario Camus.” Romance Languages
Montes-Huidobro, Matías. “Análisis fílmico-literario
de Los santos inocentes.” Letras Peninsulares [Davidson,
NC] 7.1
*Ostherr, Kirsten. “Margins of Vision: Azarías and Nieves
in Los santos inocentes.” Cabello-Castellet, George (ed.);
*Paun de García, Susan. “Los santos inocentes: Novel
to Film: A Sharper Image of Evil.” Cabello-Castellet, George
Pfleger, Sabina. “Literatura y cine: La perspectiva del narrador desde
un punto de vista lingüístico-psicológico.” Cuevas-García,
Cristóbal (ed.); Baena, Enrique (coord.). Miguel
Delibes: El escritor, la obra y el lector. Actas
Rubio-Gribble, Susana. “Del texto literario al texto fílmico:
Representación del punto de vista narrativo en tres
Sánchez de la Calle, Eufemia. “Los santos inocentes:
¿Reivindicación social o ecológica?” Nagy Zekmi,
Silvia (ed.).
*Santoro, Patricia J. Novel into Film: The Case of La familia
de Pascual Duarte and Los santos inocentes. Newark, DE;
Santoro, Patricia Jane. “Novel into Film: The Case of 'La familia de
Pascual Duarte' and 'Los santos inocentes'».
*Santoro, Patricia. “The Cinematic Adaptation: The Case of Los santos inocentes.” Simons, John D. (ed.). Literature and Film in the Historical Dimension. Selected Papers from the Fifteenth Annual Florida State University Conference on Literature and Film. Gainesville: UP of Florida, 1994. 173-81. *Varela, Antonio. “Reading and Viewing Los santos inocentes.” Romance Languages Annual 1 (1989): 639-44. Wood, Guy H. “Fuentes y figuras legendarias, religiosas y poéticas
en Los santos inocentes.” Romance Languages
Wood, Guy H. “La parodia cinegética de Berlanga: La
santa escopeta y la recreación nacional.” Cabello-Castellet,
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