Francisco Manso.  O Testamento do Senhor Napomuceno (Testamento). 
Portugal / Brazil / Cape Verde.  1997.

A. Robert Lauer

FVS 3843.900 / MLLL 3000.900


For an interview on Portuguese cinema (in Portuguese), click here



 Film poster for Testamento


 Scene from Testamento


 Francisco Manso, director

 

Facts about Cabo Verde (Cape Verde)

Bibliography:

*Andrade-Watkins, Claire.   “Portuguese African Cinema: Historical and Contemporary Perspectives—1969 to 1993.” 
Harrow, Kenneth W., ed.   African Cinema.  Postcolonial and Feminist Readings.  Trenton, NJ: Africa World P, 1999. 
177-200. 

*Armes, Roy.  “The Middle East and Africa.” Third World Making and the West.  Berkeley: U of California P, 1987. 
189-225. 

*Burton, Julianne.   “Carlos Diegues (Brazil).  The Mind of Cinema Novo.”  Cinema and Social Change in Latin
America.  Convertions with Filmmakers.  Austin, TX: U of Texas P, 1986.  171-79. 

*Burton, Julianne.   “Humberto Solás (Cuba).  Every Point of Arrival Is a Point of Departure.”  Cinema and Social
Change in Latin America.  Convertions with Filmmakers.  Austin, TX: U of Texas P, 1986.  143-59. 

*Burton, Julianne.   “Julio García Espinosa (Cuba).  Theory and Practice of Film and Popular Culture in Cuba.”  Cinema
and Social Change in Latin America.  Convertions with Filmmakers.  Austin, TX: U of Texas P, 1986.  243-57. 

*Burton, Julianne.   “Nelson Pereira dos Santos (Brazil).  Toward a Popular Cinema.”  Cinema and Social Change in
Latin America.  Convertions with Filmmakers.  Austin, TX: U of Texas P, 1986.  133-41. 

*Gabriel, Teshome H.  “Towards a Critical Theory of Third World Films.”  Pines, Jim & Paul Willemen, eds.  Questions
of Third Cinema.  London: British Film Institute, 1989.  30-52. 

*Khannous, Touria.  “The Subaltern Speaks: Remaking/Her/Story in Assia Djebar’s La Nouba des femmes du mont
Chenoua.”  Eke, Maureen N., Kenneth W. Harrow, Emmanuel Yewah, eds.  African Images. Recent Studies and Text in
Cinema.  Trenton, NJ: Africa World P, 2000.  51-71. 

*MacRae, Suzanne H.  “The Mature and Older Women of African Film.”  Harrow, Kenneth W., ed.  African Cinema. 
Postcolonial and Feminist Readings.  Trenton, NJ: Africa World P, 1999.  241-254. 

*Tomaselli, Shepperson & Eke.  “Towards a Theory of Orality in African Cinema.”   Harrow, Kenneth W., ed.  African
Cinema.  Postcolonial and Feminist Readings.  Trenton, NJ: Africa World P, 1999.  45-71. 

*Vieyra, Paulin Soumanou.  “African Cinema : Solidarity and Difference.”  Pines, Jim & Paul Willemen, eds.  Questions
 of Third Cinema.  London: British Film Institute, 1989.  195-211. 


FVS 3843.900 / MLLL 3000.900



 
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