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COURSE DESCRIPTION |
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COURSE DESCRIPTION This course for undergraduate and graduate students discusses major figures and works in modern cultural theory and criticism (1740s to 1960s). It ranges from Vico’s New Science, Wollstonecraft’s Vindication of the Rights of Women, Arnold’s Culture and Anarchy, plus Marx and Engel’s Communist Manifesto, to Nietzsche’s Genealogy of Morals, Freud’s Interpretation of Dreams and his Civilization and Its Discontents, and Fanon’s Wretched of the Earth. Schools, movements, and methods discussed include historicism, philology, feminism, Marxism, existentialism, deconstructive genealogy, psychoanalysis, postcolonial theory, and cultural criticism. Among the many aspects of culture examined are race, gender, social class, family, religion, ethics, law, psychology, the nation-state, modernity, imperialism and colonialism, the role of intellectuals, the literary canon, education, Enlightenment humanism, anarchy, and revolution. |
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COURSE DESCRIPTION This dual-level undergraduate and graduate course studies major figures and works of contemporary cultural theory and criticism, focusing on several broad topics, namely globalization, postmodernity, decolonization and neocolonialism, surveillance society, identity theory, and multiculturalism. Schools and movements discussed range from structuralism, Marxism, and psychoanalysis to feminism, poststructuralism, and race and ethnicity studies to postcolonial and queer theory to personal criticism and cultural studies. Figures and texts include Fanon's The Wretched of the Earth, Said's Orientalism, Foucault's Discipline and Punish and History of Sexuality (vol. 1), Butler's Gender Trouble, hooks' Outlaw Culture, Jameson's Postmodernism, or the Cultural Logic of Late Capitalism, and Hardt and Negri's Empire. |
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COURSE DESCRIPTION This graduate seminar examines major works of theory and cultural studies recently published and influential during the opening decade of the twenty-first century. Key concepts explored include globalization, Empire, postmodernity, neoliberalism, nationalism, democracy, permanent war, media spectacle, the corporate university, immaterial labor, disposable workers, class struggle, identity, and counter-hegemonic resistance. Professional training focuses on how to do cultural critique as well as how to make a conference presentation and write a research paper. |
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COURSE
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COURSE DESCRIPTION In this course undergraduate students explore significant topics in contemporary cultural studies and theory, focusing on six key issues: subcultures, postmodernity, popular culture, body studies, globalization, and cultural studies (as a postmodern discipline). Among the major figures read are Louis Althusser, Roland Barthes, Susan Bordo, Pierre Bourdieu, Michel Foucault, Donna Haraway, Dick Hebdige, bell hooks, Fredric Jameson, and Immanual Wallerstein. Subjects discussed range from punk music, toy dolls, television, and movies to the rise of new social movements, the global privatization of natural resources, and the spread of advertising and commodification processes. |