PUBLICATIONS

Stylistic Foundations of Rock Music, Yale University Press, forthcoming.

"Melodic Tendencies in Prokofiev's Romeo and Juliet," College Music
Symposium, 1997.

"Painting the Phantom Text: Hidden Correspondences between Prokofiev's
Romeo i Dzhul'yetta and Shakespeare's Romeo and Juliet," Music
Theory Explorations and Applications, Fall 1996.

"A Species-Counterpoint Method Leading to Four-Part Writing," Journal
of Music Theory Pedagogy, 1995.

Review of Ralph Turek, Elements of Music, in Journal of Music Theory
Pedagogy, Spring 1992.

"A Prolog-like Inference Engine in a FORTH Environment," Proceedings
of the 1991 OK Symposium for Artificial Intelligence.

"Testing Rules of Tonal Music through Expert Systems," Proceedings of
the 1991 OK Symposium for Art'l Intelligence.


PROFESSIONAL PRESENTATIONS

"25 or 6 to 4?: Two Views of Time in Chicago's ‘Does Anybody Really Know
What Time It Is?'" Sonneck Society Conference, Ft. Worth, March 1999.

"The Lunatic Is on the Grass: Musical Depictions of Normalcy and Deviency
in Pink Floyd's ‘Brain Damage/Eclipse'," AP Music Reading, College of New
Jersey, June 1998.

"Incorporation of Popular Music Into the Theory Classroom," Oklahoma Music
Theory Round Table, September 1994.

"Stylistic Norms in the Phrase Structure of Rock Music," West Coast
Conference of Music Theory and Analysis, April 1994.

"Painting the Phantom Text: Hidden Correspondences between Prokofiev's
Romeo i Dzhul'yetta and Shakespeare's Romeo and Juliet," Music Theory
Southeast, March 1994.

"Painting the Phantom Text: Hidden Correspondences between Prokofiev's
Romeo i Dzhul'yetta and Shakespeare's Romeo and Juliet," AMS/Southwest
Chapter, October 1993.

"Increasing Course Content in a Diminishing Core," Oklahoma Music Theory
Round Table, Fall 1992.

"A Prolog-like Inference Engine in a FORTH Environment," Oklahoma
Symposium for Artificial Intelligence, Fall 1991.

"Testing Rules of Tonal Music through Expert Systems," Oklahoma Symposium
for Artificial Intelligence, Fall 1991.

Demonstration of my Theory II and other music software, Oklahoma Music
Theory Round Table, Fall 1990.

"Phrase Structure in Prokofiev's Romeo and Juliet," Oklahoma Music Theory
Round Table, Spring 1990.

"Musical Climax," Central Midwest Theory Society, Spring 1986.