ALAN
R. VELIE
ACADEMIC
RECORD:
B.A. Harvard
University, 1959
M.A. Stanford
University, 1966
Ph.D. Stanford
University, 1969
EMPLOYMENT:
Oklahoma University:
Instructor, 1967-69
Assistant Professor, 1969-72
Associate Professor, 1972-81
Professor, 1981
Chairman, 1978-82
David Ross Boyd Professor, 1994
TEACHING:
Courses Taught: Shakespeare, Renaissance Drama, American
Indian
Literature, Teaching of English, Contemporary Criticism,
Bible as Literature.
Teaching Awards: Amoco
Award for Outstanding Teaching,
1972;
Baldwin Award
for Excellence in Classroom Instruction,
1986;
Mortarboard
Honor Society Outstanding Faculty Member
1988-89;
Summer Faculty
Instructional Award, 1990.
PUBLICATION:
BOOKS:
Shakespeare's Repentance Plays:
The Search
for an Adequate Form, Fairleigh Dickinson University Press, 1973.
Four
American Indian Literary Masters, Oklahoma University Press, 1982.
Blood and Knavery, edited
with Joseph Marshburn, Fairleigh Dickinson
University Press, 1973.
Appleseeds
and Beercans, edited with Donita Walker and C. Michael Wells, Goodyear
Publishing Company, 1974.
American Indian Literature,
Oklahoma University Press, 1979. Revised
edition, 1991.
Structural Semantics,
translated with Daniele McDowell and Ronald Schleifer, University of Nebraska
Press, 1983.
The
Lightning Within, University of Nebraska Press, 1991.
Native American Perspectives on
Literature and History, The University of Oklahoma Press, 1995.
ARTICLES:
"Aztekisches Erzahlgut," Enzyklopadie
des Marchens, Vol. 1, 1976.
"Shakespeare's
Use of Folktale in The Merchant of Venice,"
Fabula, (16:2), 1975.
"The
Dragon Killer, the Wild Man, and Hal," Fabula,
(17:3), 1976.
"Cain
and Abel in N. Scott Momaday's House Made
of Dawn," Journal of the West, (17:2), 1978, reprinted in The
Chelsea House Library of Literary Criticism, Twentieth
Century American
Literature,
vol. 5.
"James
Welch's Winter in the Blood as Comic Novel," American Indian Quarterly, (2:4), 1978.
"The
Poetry of James Welch," American
Indian Culture and Research Journal, (3:1), 1979.
Sadly
the Poor Wretch Comes Reading," Oklahoma
English Teaching and Research Journal, Winter 1982, reprinted Journal of Foreign
Languages, Fall, 1992.
"Indians
in Indian Fiction: The Shadow of the Trickster," American
Indian Quarterly, (8:4), 1984.
"Structuralism
in Ardmore, an Educational Experiment," Oklahoma
English Journal, Summer, 1984.
"Genre and Structure: Towards an Actantial Analysis of Narrative
Genres," with Ronald Schleifer, MLN,
Vol. 102, Winter 1987.
"Gerald Vizenor's Indian Gothic," MELUS,
(17:1), Spring 1991-1992, pp. 75-85.
"American Indian Literature in the Nineties:
The Emergence of the Middle Class Protagonist," World
Literature Today, (66:2), Spring
1992, pp. 264-269.
"The
Indian Historical Novel," Genre,
391‑406, Winter 1992. Reprinted in Native
American Perspectives on
Literature and History.
Introduction
to Gerald Vizenor's Griever, The
Before Columbus Foundation Fiction Anthology,
Ishmael Reed et al, Norton, NY, 1992.
"The Return of the Native: The Renaissance of Tribal Religions as Reflected
in the Fiction of N. Scott Momaday." Religion
and Literature,
135-145,
Spring 1994
N. Scott Momaday," Dictionary
of Literary Biography," Detroit: Gale,159-170, 1994.
"Gerald
Vizenor," in Dictionary of Native
American Literature, Greenwood Press, Greenwood, CT, 1994, reprinted in Handbook of Native American Literature, Greenwood Press, 1996.
Leslie
Marmon Silko," World
Authors 1985‑1990, New York, H.W.Wilson, 1995, 821‑23.
"Indian Identity and Indian Literature," European
Review of Native American Studies.
11:1, 1997, 5-10.
"N. Scott Momaday's 'Angle of Geese,'" Poetry
for Students, Vol. 2, Detroit: Gale, 1998, 7-10
"Identity and Genre in House Made of
Dawn," Qwerty, 7
(Oct. 1997), 175-83.
"Recent
Trends in American Indian Fiction," Letterature
D'America, Revista Trimestrale,
XVII-XVIII, nn. 71-72, 1997-98, 31-55.
"Indian
Identity in the Nineties," Oklahoma
City University Law Review, Vol 23, 1998, 189-209.
"Ethnicity, Indian Identity, and Indian Literature," American
Culture and Research Journal,
Vol 23:1
(1999), 191-205.
"The Rise and Fall of the Red Power Movement," European
Review of Native American Studies, 13:1, 1999.
"Gerald
Vizenor," Dictionary of Literary
Biography, Detroit: Gale, 2000, 324-334.
"Introducing Trials into Law and Literature Classes," Oklahoma
City University Law Review, 2001.
BOOK CHAPTERS
"La poetique des recits indiens," Dictionnaire
des poetiques,
edited by Yves Bonnefoy, Flammarion, 1985.
"The
Trickster Novel," in Narrative Chance: Postmodern
Discourse on Native
American Indian Literature, edited by Gerald Vizenor,
University of New Mexico
Press, 1989.
"Gerald Vizenor," and "N. Scott Momaday," Twentieth
Century Western Writers, Mansfield,
London, 1991.
"Vizenor:
Post‑Modern Fiction," Critical
Perspectives on Native American Fiction, Three Continents Press, Washington,
1992, and
Contemporary Literary Criticism, Gale Research, Detroit, 1998.
"Winter in the Blood as
Comic Novel," Critical Perpectives on
Native American Fiction, Three Continents Press, Washington, 199
"Magical
Realism and Ethnicity: The Fantastic in the Fiction of Louise Erdrich," Native American Women
in Literature and Culture, Edicoes Universidade
Fernando Pessoa, 1997, reprinted in Approaches
to Louise Erdrich's Fiction, University of Alabama Press.
"Angle
of Geese," in Poetry for Students,
Vol 2, Gale Press, 1998, 1-7.
REVIEWS:
James Welch, by Peter Wild, American
Indian Culture and Research Journal, (8:2), Summer 1985.
The People Called the Chippewa, by
Gerald Vizenor, American Indian Culture and Research Journal, 10:1, Spring 1987.
Kiowa Voices, Vol. I & II, by
Maurice Boyd, American Indian Culture and Research Journal, 9:1, Spring 1986.
That's
What She Said, by Rayna Green, World
Literature Today, Fall 1985.
I
Tell You Now, by Brian Swann & Arnold Krupat, Contact II, Summer 1988.
For
Those Who Come After, by Arnold Krupat, Genre,
Summer 1988.
The Lone Ranger and Tonto Fistfight
in Heaven, by Sherman Alexie, World
Literature Today, Fall 1990
Momaday,
Vizenor, Armstrong: Conversations on American Indian Writing, by Hartwig
Isernhagen, American Indian Quarterly,
Summer and Fall 1999.
Talking Leaves, ed. Craig Lesley, The
Man to Send Rain Clouds, ed. Kenneth Rosen, Earth
Song Sky Spirit, ed. Clifford Trafzer, World
Literature Today, Fall 1993.
Momaday,
Vizenor, Armstrong: Conversations on
American Indian Writing, American
Indian Quarterly, Summer and Fall, 1999.
LECTURES:
"The
Use of Codes in Decoding Drama," O.U. Symposium on Contemporary Genre and
the Yale School, Summer 1984.
"The
Use of Allusion in Ishmael Reed's The Last
Days of Louisiana Red," MLA, December 1984.
"The
Use of Archetypes in Ethnic Literature," Ethnic Studies Department, UC
Berkeley, April, 1985.
"Critical
Approaches to American Indian Literature," University of California
Symposium on Native American Literature, September 1985.
"The
Ironedy of the Trickster," MLA, December 1986.
"Laguna Myth as the Basis of Leslie Silko's Fiction," San Francisco
State College, March 1987.
"Theme and Form in James Welch's Fiction," Sacramento State
College, March
1987.
"Laguna
Myth in Ceremony," Hayward State College, February 1988.
"The
Trickster Novel," University of California, Santa Cruz, February 1988.
"The
Trickster in House Made of Dawn,"
Cooper Union, April 1988.
"Levi‑Strauss's
Matrix & Indian Literature," Brown, April 1988.
"The
Postmodern Poetry of Welch and Momaday," U.C. Berkeley, November, 1988.
"The
Trickster Figure in Harold of Orange," MLA, December 1988.
"Indian
Literature, an Overview," Universidade do Porto and Universidade do Minho,
Portugal, March 1989.
"History
and Traditions of Indian Literature," University of Genoa, University of
Turin, and Charles University, Prague, March 1990.
"American Indian Literature, an Overview," Oxford University, 1990.
"Satanic Voices," at
"Crossing the Disciplines," Norman, October, 1990.
"Cultural Studies and America Ethnic Literatures," Chongqing
University, December, 1990.
"Recent
Critical Trends in America," and "America Ethnic Literatures,"
Sichuan International Studies University, January, 1991.
"Recent
Critical Trends in America," and "American Indian Literature," L.
Kossuth University, Debrecen, Hungary, March, 1991.
"Trends in American Literary
Criticism," Bogazici University, Istanbul, Turkey, March, 1992.
"American
Indian Literature," University of the Virgin Islands, St. Croix, March
1993.
"Recent
Trends in Literary Criticism," University of the Virgin Islands, St.
Thomas, March 1993.
"The Mathematical Basis of Literature" and "American
Indian Literature," Fundacite, San Cristobal, Venezuela, October, 1993.
"American
Indian Literature and Recent Trends in Literary Theory," UMSA, La Paz,
Bolivia, July, 1994.
"Magical
Realism and Ethnicity," The Fantastic in the Fiction of Louise Erdrich."
American Indian Workshop of European American Studies
Association. Porto, Portugal, April, 1995.
"The Nature of Indian Identity," University of Florence,
November, 1995.
"American
Exceptionalism and American Indian Identity," European Association for
American Studies Biennial Conference, Warsaw, March 1996.
"Scott
Momaday's Novels," American Studies Association Convention, Kansas City,
November 1996
"Some
Vexing Questions about Native American History and Identity," Curriculum
and Pedagogy Institute, University of Edmonton, March 1998.
"Indian
Identity and Indian Literature," European Association of American Studies,
Lisbon, April 1998.
"New World
Studies," at American Literature Symposium on Native American Literature,
Puerto Vallarta, November 1999.
"Scott
Momaday's Literary Geography," Western Literature Association, Norman,
October 2000.
"The Literary Geography of Louise Erdrich's Machimanito
Saga. American Literature Association
Symposium on Native American Literature,
Puerto Vallarta,
December, 2000.
“Pueblos de
America: Sur y Norte,” Centro Simon I. Patrino, Cochabamba, Bolivia, March,
2001.
“Putting Literary Characters on Trial in Law and Literature Classes,”
Le Droit et La Litterature, Nice, France, June, 2001.
“Chippewa Postmodernism in the Novels of Gerald
Vizenor,” (Mis)understanding Postmodernism, Palacky University ,
Olomouc,
Czech
Republic, September, 2001.
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